REVIEW: Bloody Nose, Empty Pockets (Sundance 2020)
In America’s sociopolitical climate circling the end of 2016 is a belligerent indifference and negation from one another. An unwillingness…
REVIEW: Some Kind of Heaven (Sundance 2020)
Lance Oppenheim’s “Some Kind of Heaven” illustrates the multiplex “fountain of youth” streaming through the lives of those living within…
REVIEW: The Reason I Jump (Sundance 2020)
Based on the book written by Naoki Higashida, a 13-year-old boy with autism, Jerry Rothwell’s “The Reason I Jump” is…
REVIEW: The Painter and the Thief (Sundance 2020)
Benjamin Ree’s “The Painter and the Thief” is an unusual, cathartic experience, to say the least. It’s not only a…
REVIEW: Mucho Mucho Amor (Sundance 2020)
“Mucho Mucho Amor” is the spiritually healing, fascinating documentary on famed Puerto Rican astrologer Walter Mercado. Directed by Cristina Constantini…
REVIEW: The Dissident (Sundance 2020)
“The Dissident,” Bryan Fogel’s follow up to his Oscar-winning documentary, “Icarus,” is a gripping and condemning account circling the murder…
REVIEW: Welcome to Chechnya (Sundance 2020)
David France, a journalist-turned-documentarian, exposes yet another atrocious human rights epidemic in his latest feature, “Welcome to Chechnya,” one of…
REVIEW: Miss Americana (2020)
Even before the glitz and glam, all Taylor Swift wanted was appreciation and success for her talent. Fifteen years, seven…
CAMFF 2019: Wild Amsterdam
Wild Amsterdam is a nature documentary where adventurous urban cat Abatutu (voiced by Martijn Fischer) takes you on a tour…
SIDEWALK 2019: Scheme Birds
Scheme Birds falls somewhere between the cracks of a working class society stripped of its agency and what that means…
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