REVIEW: Shirley (Sundance 2020)
The writer-director of one of the best films of 2018 – Madeline’s Madeline – is back with what appears on…
REVIEW: Bombshell (2020)
Following in the footsteps of Adam McKay’s mixed bag efforts into the realms of political takedown cinema, Jay Roach steps…
REVIEW: The Wave (2019)
Gille Klabin’s The Wave. Where to begin? Justin Long plays Frank, an introverted lawyer playing by a set of rules…
REVIEW: Weathering With You (2020)
Like the legendary Hayao Miyazaki and the films of Studio Ghibli, director Makoto Shinkai now generates a huge amount of…
REVIEW: Seberg (2020)
The story of Jean Seberg is perhaps one of Hollywood’s most tragic, and not often told stories. The American born…
REVIEW: Bad Boys For Life (2020)
I am an enormous fan of the first Bad Boys (1995) movie. The action, comedy and kinetic vibrancy of the…
REVIEW: Waves (2020)
In Waves, a family unit is its own delicate ecosystem, and any imbalance can have massive ripple effects. Tyler (Kelvin…
REVIEW: The Courier (2020)
This 2019 action film is directed by Zackary Adler and stars Olga Kurylenko, Gary Oldman, Amit Shah, Alicia Agneson, Greg…
REVIEW: The Gentlemen (2020)
Setting aside the pleasantries of the Disney world for a street more familiar, Guy Ritchie returns to his lock stocked…
REVIEW: Little Women (2019)
Whenever there’s a new adaptation of a classic novel, the grumblings are always the same. Do we really need another…
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