REVIEW: Jumbo (Sundance 2020)
Definitely one of the ‘buzzy’ films of Sundance 2020 before the festival even started, simply from having such a crazy-sounding…
REVIEW: Like A Boss (2020)
Childhood best friends Mel (Rose Byrne) and Mia (Tiffany Haddish) have built up their own beauty company and love working…
REVIEW: Welcome to Chechnya (Sundance 2020)
David France, a journalist-turned-documentarian, exposes yet another atrocious human rights epidemic in his latest feature, “Welcome to Chechnya,” one of…
REVIEW: Luxor (Sundance 2020)
Zeina Durra returns to Sundance after a ten year absence with her second feature film Luxor. Centred around a typically…
REVIEW: The Man Who Killed Don Quixote (2020)
If you’re under the age of 30, then Terry Gilliam has been trying to make and release The Man Who…
REVIEW: Beast Beast (Sundance 2020)
Danny Madden’s “Beast Beast” is a striking, smart narrative film with guts to say something bold in the age of…
REVIEW: Miss Americana (2020)
Even before the glitz and glam, all Taylor Swift wanted was appreciation and success for her talent. Fifteen years, seven…
REVIEW: Wander Darkly (Sundance 2020)
Tara Miele’s “Wander Darkly” sprinkles artful turbulence into an already ailing romance between Adrienne (Sienna Miller) and Matteo (Diego Luna),…
REVIEW: Richard Jewell (2020)
This 2019 American biographical drama, based on the 1997 Vanity Fair article “American Nightmare: The Ballad of Richard Jewell” by…
REVIEW: Promising Young Woman (Sundance 2020)
Emerald Fennell has had an interesting career, even just within the last couple of years. As an actress, she played…
Patrons: 16
Current Donations: $73
Current Target: $135 (£103)
