REVIEW: New Order (TIFF 2020)
It is very tempting to compare New Order to the current various uprisings and movements of class and race unrest, but to do ...
REVIEW: Summer of 85 (TIFF 2020)
Falling in love for the first time is a right of passage. There’s no correct ...
REVIEW: Les Misérables (2020)
Les Miserables is a fervent fury essential for our times. Writer and director Ladj Ly’s feature debut ...
REVIEW: Get the Hell Out (TIFF 2020)
Especially in recent years, the behavior and practices of government officials seem to align more ...
REVIEW: Crazy Samurai Musashi (Fantasia 2020)
One-take sequences are seemingly all the rage at the moment, especially following the box office ...
REVIEW: The Undertaker’s Home (Fantasia 2020)
Resting the dead can be a restless business. In a surprising divergence from the calm and collected depiction of undertakers — for it ...
REVIEW: Night of the Kings (TIFF 2020)
Flying overhead, all there is to see is green: the canopy of dense forest glowing ...
REVIEW: I WeirDO (Fantasia 2020)
Change is terrifying. You have no control over it; one day you’re on the same ...
REVIEW: Koko-di Koko-da (2020)
Traumatic events always leave us in a never-ending loop of regret, depression and scenarios that ...
REVIEW: Ròm (2020)
Just the one number 41 holds 41-plus meanings to different people. It is niobium to ...
REVIEW: A Mermaid in Paris (Fantasia 2020)
Of all the mythical creatures spread across the world throughout history, the legend of the mermaid is probably one of the most ubiquitous. ...
REVIEW: Entwined (2020)
Greek and Roman mythology has been having something of a moment in cinema recently, with ...
REVIEW: African Violet (2020)
It’s fantastic to see women film directors from the Middle East finally getting the chance ...
