REVIEW: Diamantino (2019)
Completely bonkers and unpredictable, while also being surprisingly moving at times, Diamantino is everything an independent art-house movie should be and it should come as no surprise that it was the Cannes Critics Week winner. It addresses several modern-day political and social concerns, including countries…
SUNDANCE 2019: Dolce Fine Giornata
Civil life, love, and politics don’t tend to coexist so harmoniously in Jacek Borcuch’s wonderfully crafted film Dolce Fine Giornata. Enrobed in decadent layers of family drama and metaphors of the times, Borcuch’s film quietly flourishes as both a love letter and critique of a…
REVIEW: Shin Godzilla (2017)
I remember watching the original Japanese kaiju movies (a genre of film typically focusing on giant monsters – think Godzilla, Mothra and King Kong) of the 50s and 60s on weekend afternoon TV when I was younger. I remember feeling abject fear at seeing the…
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