REVIEW: Butt Boy (2020)
I love a trashy, high-concept film. From ‘Rubber‘, the film about a killer tyre roaming the land to ‘Wolf Cop‘…
REVIEW: Days of the Bagnold (Glasgow Film Festival 2020)
The giddy height of summer, the exuberance of youth, relishing the prospect o that lengthy six-week break away from the…
REVIEW: Bloodshot (2020)
Dominating the box offices with gonzo blockbusters such as the Fast franchise wasn’t enough for Vin Diesel. Naturally, it was…
REVIEW: Brahms: The Boy II (2020)
Oh, Brahms. You charmed us with your porcelain stare from the moment you set eyes on Lauren Cohan back in…
REVIEW: White Riot (Glasgow Film Festival 2020)
“An exhilarating call to arms in a cinematic sense in how Rubika Shah brings this story life. Don’t just take…
REVIEW: The Hunt (2020)
Before it was even released, The Hunt had marketed itself as ‘the most talked about movie of the year’. That…
REVIEW: Toni Morrison: The Pieces I Am (2020)
Of the many tales told by the late Toni Morrison in the documentary about her life, the one that might…
REVIEW: Synchronic (Glasgow Film Festival 2020)
“A neat mind-bending genre hybrid that is thrilling, supremely entertaining, and ultimately its emotional pull catches you off guard. A…
REVIEW: Onward (2020)
“We’re going on a quest!” Every once in awhile, we stumble across little bits of magic in the world; a…
REVIEW: How To Build A Girl (Glasgow Film Festival 2020)
One exuberant half of the barnstorming duo that lit up Olivia Wilde’s impeccable coming-of-age directorial debut ‘Booksmart’. Beanie Feldstein now…
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