REVIEW: Sabaya (Sundance 2021)
Soldiers are not the only ones scarred by war. A nation in conflict, especially when ...
REVIEW: The Most Beautiful Boy in the World (Sundance 2021)
Child actors have long been a source of fascination, with a recent HBO documentary directed ...
SUNDANCE INTERVIEW: ‘Eight for Silver’ Director Sean Ellis
Eight for Silver is a period horror film and spin on the werewolf myth by ...
SUNDANCE INTERVIEW: ‘The Unseen River’ Director Phạm Ngọc Lân
My eyes immediately caught it: a name, with diacritics and tones used in the Vietnamese ...
SUNDANCE INTERVIEW: ‘Mayday’ Director Karen Cinorre
Mayday, a dreamlike fantasy about a woman who wakes up on a mysterious shore where ...
REVIEW: Mayday (Sundance 2021)
Feminist rage is not new: sirens lured sailors to their deaths in Greek mythology thousands ...
REVIEW: Judas and the Black Messiah (2021)
I recently watched an interview with director Shaka King, talking about what defines his latest ...
REVIEW: Passing (Sundance 2021)
Black and white films have been making something of a comeback recently – even just ...
SUNDANCE INTERVIEW: ‘Raspberry’ director Julian Doan
When Sundance asked Julian Doan to give them his name’s phonetic pronunciation, he said he ...
REVIEW: Luzzu (Sundance 2021)
Even when Luzzu is ashore, it’s always among the waves. The urgent, almost too much ...
