SUNDANCE 2019: Dolce Fine Giornata Civil life, love, and politics don’t tend to coexist so harmoniously in Jacek Borcuch’s wonderfully ...
SUNDANCE 2019: Moonlight Sonata: Deafness in Three Movements Irene Taylor Brodsky is a documentary filmmaker whose career speaks for itself, layered with human ...
SUNDANCE 2019: Sonja – The White Swan Norwegian director Anne Sewitsky is known by fans of European cinema for her films Sykt ...
Sundance 2019 REVIEW: Judy & Punch (Sundance 2019) Judy and Punch was the second of three Australian films I saw at Sundance (the ...
REVIEW: The Nightingale (Sundance 2019) Director Jennifer Kent has gone in a somewhat unexpected direction as a follow up to ...
REVIEW: Honey Boy (Sundance 2019) Honey Boy plays like a therapeutic passion project penned by Shia LaBeouf and thoughtfully directed ...
Sundance 2019 REVIEW: Animals (Sundance 2019) Adapting her own 2014 novel of the same name, screenwriter Emma Jane Unsworth has teamed ...
REVIEW: Love, Antosha (Sundance 2019) If a more beautiful, heart-shattering film is released this year, I will be surprised.. The ...
SUNDANCE 2019: Greener Grass Directors Jocelyn DeBoer and Dawn Luebbe have a tight, twisted grasp of society because they ...
SUNDANCE 2019: Interview with Anne Sewitsky director of ‘Sonja – The White Swan’ Director of acclaimed Norwegian films Sykt Lykkelig and De Nærmeste, Anne Sewitsky returns to Sundance ...
SUNDANCE 2019: This Is Not Berlin Politically fearless, individual, and deliciously subversive, Hari Sama’s fifth feature film This Is Not Berlin ...
SUNDANCE 2019: The Souvenir Director of the amazing Unrelated (2007), Archipelago (2010) and Exhibition (2013) (all of which have ...
SUNDANCE 2019: Stieg Larsson: The Man Who Played With Fire When we think of the popular and acclaimed “Millennium” crime novels we think of its ...