LFF 2019: Fanny Lye Deliver’d
On a secluded farm in Shropshire, England in 1657 lives the Lye family: wife Fanny (Maxime Peake), her husband John…
LFF 2019: Babyteeth
The heart-wrenching juxtaposition of the early embers of young love, as you look to navigate feelings that have been up…
LFF 2019: Monsoon
In his magnetic feature-length debut ‘Lilting’, director Hong Khaou keenly observed a mother and her deceased son’s boyfriend as they…
REVIEW: Downton Abbey (2019)
Downton Abbey may not have the stakes one normally expects from a major motion picture, but it’s confident in the…
REVIEW: A Beautiful Day in the Neighbourhood (London Film Festival 2019)
A dearly beloved children’s television host whose mild-mannered nature along with his wonderful wisdom charmed many an American. Yet the…
REVIEW: Portrait of a Lady on Fire (London Film Festival 2019)
‘I’ve dreamt of that for years. Dying? Running.’ The heart-stopping meet cute shared by Noemie Merlant’s blossoming painter Marianne and…
REVIEW: Vivarium (London Film Festival 2019)
From the moment that Vivarium’s opening bright red credits flash onto the screen à la Michael Haneke’s Funny Games, you…
LFF 2019: The Irishman
It is hard to put into words just what Martin Scorsese means to me as a film fan, as I’m…
LFF 2019: Pink Wall
“As a whole, for a directorial debut, it’s quite brilliant how assured this film is by Tom Cullen” Rating: ★★★★½…
LFF 2019: The Report
In December 2014, 525 pages of a 6,725-page report on the CIA’s post-9/11 use of torture on terror suspects were…
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