REVIEW: Nomadland (NYFF 2020)
Chinese filmmaker Chloé Zhao has made two beautiful films set amongst the Lakota Sioux of the Pine Ridge Reservation in the Badlands of ...
REVIEW: The Human Voice (NYFF 2020)
A rare bright spot in our shared annus horribilis of 2020 came when we discovered ...
REVIEW: Shadow in the Cloud (TIFF 2020)
Shadow in the Cloud was initially overshadowed by controversy after its association with a script ...
REVIEW: Concrete Cowboy (TIFF 2020)
As adolescents, we’re hard pressed to believe that we’re any stretch of the imagination away ...
REVIEW: Inconvenient Indian (TIFF 2020)
Inconvenient Indian, a new documentary from Michelle Latimer, is a celebration of all that Indigenous ...
REVIEW: New Order (TIFF 2020)
It is very tempting to compare New Order to the current various uprisings and movements of class and race unrest, but to do ...
REVIEW: Pieces of a Woman (TIFF 2020)
What is it that brings two people together, tautly stringing their hearts with a passion ...
REVIEW: Two Heads Creek (FrightFest 2020)
By far my favourite film of FrightFest goes to Two Heads Creek. This Ozploitation offering ...
REVIEW: Summer of 85 (TIFF 2020)
Falling in love for the first time is a right of passage. There’s no correct ...
REVIEW: Savage State (Fantasia 2020)
There’s nothing like the perspective of a cultural outsider to make you see things differently. ...
REVIEW: 40 Years a Prisoner (TIFF 2020)
In present-day discussions about rioting, looting and peaceful protest, there is an underlying understanding that no matter what the means of protest and ...
REVIEW: Get the Hell Out (TIFF 2020)
Especially in recent years, the behavior and practices of government officials seem to align more ...
REVIEW: Crazy Samurai Musashi (Fantasia 2020)
One-take sequences are seemingly all the rage at the moment, especially following the box office ...
