REVIEW: Days of the Bagnold (Glasgow Film Festival 2020)
The giddy height of summer, the exuberance of youth, relishing the prospect o that lengthy six-week break away from the…
REVIEW: White Riot (Glasgow Film Festival 2020)
“An exhilarating call to arms in a cinematic sense in how Rubika Shah brings this story life. Don’t just take…
REVIEW: Synchronic (Glasgow Film Festival 2020)
“A neat mind-bending genre hybrid that is thrilling, supremely entertaining, and ultimately its emotional pull catches you off guard. A…
REVIEW: How To Build A Girl (Glasgow Film Festival 2020)
One exuberant half of the barnstorming duo that lit up Olivia Wilde’s impeccable coming-of-age directorial debut ‘Booksmart’. Beanie Feldstein now…
REVIEW: Saint Maud (Glasgow Film Festival 2020)
The Body Is A Stage. A tempting title of a book resting on the tightly compiled shelf of its resigned…
REVIEW: Our Ladies (Glasgow Film Festival 2020)
“I love this film dearly. It lovingly observes Scotland and the characters are so distinctive, authentic, and relatable. I can’t…
REVIEW: True History of the Kelly Gang (Glasgow Film Festival 2020)
“It’s uncompromising, it’s invigorating, it takes a well-worn story and gives it a really good bloody shake. It’s a knockout.”…
REVIEW: Eternal Beauty (Glasgow Film Festival 2020)
‘Don’t fight depression. Make friends with it’. The ballsy use of a hypnosis recording to relieve stress anchoring the opening…
REVIEW: Bloody Nose, Empty Pockets (Sundance 2020)
In America’s sociopolitical climate circling the end of 2016 is a belligerent indifference and negation from one another. An unwillingness…
REVIEW: Rialto (Glasgow Film Festival 2020)
A fresh-faced figure who became acquainted with the extortionate human cost of war, in Christopher Nolan’s Dunkirk on a grand…
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