INTERVIEW: ‘The Boys’ Sound Editor Wade Barnett
With The Boys Season 2 now well underway, I had the chance to sit down with Wade Barnett, the Supervising Sound Editor of ...
REVIEW: Tenet (2020)
Leaving the busiest screening I had been in since cinemas reopened, I could not shake ...
JumpCast: Episode 51 – DC FanDome Recap
It was a wild weekend for DC with their plethora of reveals, including a certain ...
FIRST IMPRESSIONS: Tony Hawk’s Pro Skater 1 & 2
In September, Tony Hawk’s long-awaited return to consoles will finally be upon us. Developed by ...
REVIEW: Ghost of Tsushima
Seven years on from its debut, the PlayStation 4 is soon to be replaced by ...
Patron Exclusive Podcast – Episode #2: Spy Kids
In the second episode of our Patron-exclusive podcast, Rhys is joined by JumpCut’s Multimedia Manager (and Spy Kids meme specialist) Sam Comrie and ...
REVIEW: The Rental (2020)
Following a steady rise to fame since his big screen debut in 2007’s Superbad (people ...
OUR CONSOLE: PlayStation 4
In early June 2015, my gaming history took a tragic turn. After years spent on ...
REVIEW: Saint Frances (2020)
119 days after my last cinema trip, I was finally released from the cinema-free hellscape ...
JumpCast: Episode 35 – Disaster Movies
With the recent trailer for Greenland hitting the web, Rhys, Fiona and Chris take a ...
Nemo’s Lucky Fin: Examining the Representation of Physical Disability in Film
In 1947, Harold Russell, a war veteran who lost both his hands, won the Academy Award for Best Supporting Actor for his role ...
REVIEW: Crazy World (We Are One 2020)
Wakaliwood, a film production company based in Uganda, has a small but fervent cult following ...
REVIEW: 7500 (2020)
Creating a film in a single location comes with its own set of problems, which ...
