SUNDANCE INTERVIEW: ‘The Unseen River’ Director Phạm Ngọc Lân
My eyes immediately caught it: a name, with diacritics and tones used in the Vietnamese ...
SUNDANCE INTERVIEW: ‘Raspberry’ director Julian Doan
When Sundance asked Julian Doan to give them his name’s phonetic pronunciation, he said he ...
REVIEW: Luzzu (Sundance 2021)
Even when Luzzu is ashore, it’s always among the waves. The urgent, almost too much ...
REVIEW: The Queen of Black Magic (2021)
If for any reason you don’t come to the conclusion that director Kimo Stamboel’s latest ...
REVIEW: Lucky Grandma (2020)
Since she is widowed, you can say that the New York-based Grandma Wong (Tsai Chin) ...
REVIEW: Come Play (2020)
Daring gene in you or not, the best thing to do when you see a ...
REVIEW: The Night (Nightstream 2020)
When COVID-19 is gone, or when nations’ leaders say “COVID-19 is gone” and the people’s ...
REVIEW: Run (Nightstream 2020)
Diane (Sarah Paulson), at last, gets to see her newborn daughter. On the verge of ...
REVIEW: The Undertaker’s Home (Fantasia 2020)
Resting the dead can be a restless business. In a surprising divergence from the calm ...
REVIEW: Ròm (2020)
Just the one number 41 holds 41-plus meanings to different people. It is niobium to ...
REVIEW: The Paper Tigers (Fantasia 2020)
Lo, writer-director’s Tran Quoc Bao’s debut feature might be a superhero story. On a thunderous, ...
REVIEW: Centigrade (2020)
At first glance, this seems like a cautionary tale for viewers in Myanmar, Liberia and ...
REVIEW: Peninsula (2020)
Four years have passed since a reanimated deer put into motion a suspenseful zombie-filled ride ...
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