LFF 2020 REVIEW: Ammonite (LFF 2020) Moving away from the green Yorkshire pastures of God’s Own Country where two young farmers ...
LFF 2020 REVIEW: Soul (LFF 2020) What is your life’s purpose? It’s a frighteningly loaded question, one that’s tiring to even ...
Film Reviews REVIEW: Six Stand-Out Shorts (LFF 2020) LFF may have been done things a bit differently this year thanks to the pandemic, ...
LFF 2020 REVIEW: I Am Samuel (LFF 2020) There’s something quite beautiful about a documentary that doesn’t focus on a public figure or ...
Film Reviews REVIEW: The Devil All the Time (2020) Unless you’re already a fan of the book (in which case, bully for you for ...
Film Reviews REVIEW: The Old Guard (2020) Releasing a superhero film these days must be daunting. Just last year Marvel’s domination of ...
We Are One 2020 REVIEW: Beyond the Mountain (We Are One 2020) We Are One – A Global Film Festival Winner of the Best Feature award at ...
REVIEW: Six Stand-Out Shorts (We Are One 2020) We Are One – A Global Film Festival The We Are One festival, which took ...
Film Reviews REVIEW: Dolittle (2020) Just as everybody is recovering from the bizarre CGI human-feline hybrids seen in Cats, another ...
Film Reviews REVIEW: The Man Who Killed Don Quixote (2020) If you’re under the age of 30, then Terry Gilliam has been trying to make ...
Film Reviews REVIEW: Charlie’s Angels (2019) Following the recent trend of rebooting or continuing classic franchises with women-led casts, such as ...
Film Reviews REVIEW: Vivarium (London Film Festival 2019) From the moment that Vivarium’s opening bright red credits flash onto the screen à la ...
Film Reviews REVIEW: The Report (London Film Festival 2019) In December 2014, 525 pages of a 6,725-page report on the CIA’s post-9/11 use of ...