REVIEW: Ammonite (LFF 2020)
Moving away from the green Yorkshire pastures of God’s Own Country where two young farmers ...
REVIEW: Soul (LFF 2020)
What is your life’s purpose? It’s a frighteningly loaded question, one that’s tiring to even ...
REVIEW: Six Stand-Out Shorts (LFF 2020)
LFF may have been done things a bit differently this year thanks to the pandemic, ...
REVIEW: I Am Samuel (LFF 2020)
There’s something quite beautiful about a documentary that doesn’t focus on a public figure or ...
REVIEW: The Devil All the Time (2020)
Unless you’re already a fan of the book (in which case, bully for you for ...
REVIEW: The Old Guard (2020)
Releasing a superhero film these days must be daunting. Just last year Marvel’s domination of ...
REVIEW: Beyond the Mountain (We Are One 2020)
We Are One – A Global Film Festival Winner of the Best Feature award at ...
REVIEW: Six Stand-Out Shorts (We Are One 2020)
We Are One – A Global Film Festival The We Are One festival, which took ...
REVIEW: Dolittle (2020)
Just as everybody is recovering from the bizarre CGI human-feline hybrids seen in Cats, another ...
REVIEW: The Man Who Killed Don Quixote (2020)
If you’re under the age of 30, then Terry Gilliam has been trying to make ...
REVIEW: Charlie’s Angels (2019)
Following the recent trend of rebooting or continuing classic franchises with women-led casts, such as ...
REVIEW: Vivarium (London Film Festival 2019)
From the moment that Vivarium’s opening bright red credits flash onto the screen à la ...
REVIEW: The Report (London Film Festival 2019)
In December 2014, 525 pages of a 6,725-page report on the CIA’s post-9/11 use of ...
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