REVIEW: The Devil All the Time (2020)
Unless you’re already a fan of the book (in which case, bully for you for being ahead of the game!), then the biggest ...
REVIEW: The Old Guard (2020)
Releasing a superhero film these days must be daunting. Just last year Marvel’s domination of ...
REVIEW: Beyond the Mountain (We Are One 2020)
We Are One – A Global Film Festival Winner of the Best Feature award at ...
REVIEW: Six Stand-Out Shorts (We Are One 2020)
We Are One – A Global Film Festival The We Are One festival, which took ...
REVIEW: Dolittle (2020)
Just as everybody is recovering from the bizarre CGI human-feline hybrids seen in Cats, another ...
REVIEW: The Man Who Killed Don Quixote (2020)
If you’re under the age of 30, then Terry Gilliam has been trying to make and release The Man Who Killed Don Quixote ...
REVIEW: Charlie’s Angels (2019)
Following the recent trend of rebooting or continuing classic franchises with women-led casts, such as ...
REVIEW: Vivarium (London Film Festival 2019)
From the moment that Vivarium’s opening bright red credits flash onto the screen à la ...
REVIEW: The Report (London Film Festival 2019)
In December 2014, 525 pages of a 6,725-page report on the CIA’s post-9/11 use of ...
REVIEW: The Goldfinch (2019)
Adapting an almost 800-page book for the big screen screams ‘ambition’ more than anything. Sure ...
The Humanity of Lara Croft in Tomb Raider (2018)
When I first watched Roar Uthaug’s Tomb Raider, what impressed me most was Lara Croft’s intelligence and physical strength. She can overpower men ...
REVIEW: The Current War (2019)
A century before ‘AC/DC’ became the moniker of a certain Australian rock band, the acronym ...
EIFF 2019: Them That Follow
As if religious fanaticism wasn’t frightening enough, now it’s got snakes! Up in the Appalachian ...
