REVIEW: Waves (2020)
In Waves, a family unit is its own delicate ecosystem, and any imbalance can have massive ripple effects. Tyler (Kelvin…
INTERVIEW: 'The Other Lamb's Raffey Cassidy and Michiel Huisman
At the Toronto International Film Festival, we sat down with Raffey Cassidy (Vox Lux) and Michiel Huisman (The Invitation, Game…
REVIEW: Little Women (2019)
Whenever there’s a new adaptation of a classic novel, the grumblings are always the same. Do we really need another…
REVIEW: 18 To Party (TBA)
In “18 to Party,” a group of young teens on the cusp of proper adolescence meet up outside a youth…
REVIEW: Downton Abbey (2019)
Downton Abbey may not have the stakes one normally expects from a major motion picture, but it’s confident in the…
REVIEW: American Woman (2019)
There are so many movies about missing daughters and the grieving mothers they leave behind. The mothers cry, beg the…
REVIEW: Once Upon A Time… In Hollywood (2019)
A movie about the Manson murders? Seems like a bad idea, some might say. It would be distasteful even in…
TRIBECA 2019: Something Else
Things are wrong, somehow. Hank is sure of it. His girlfriend Abby (Brea Grant) has vanished, leaving only a vague…
REVIEW: The Short History of the Long Road (Tribeca 2019)
In The Short History of the Long Road, Nola and her father are modern nomads, living in a van that…
TRIBECA 2019: Standing Up, Falling Down
Standing Up, Falling Down is not the first time we’ve seen an Old and a Millennial teach one another important…
