On his last night of dispatch duty, police officer Asger Holm (Jakob Cedergren) gets a call from a kidnapped woman and it’s a race against time to find her.

Films set in one location aren’t that uncommon anymore, but truly great and gripping ones are – The Guilty is a brilliant addition to the “genre”. Set solely in the dispatch room, the camera follows Asger as he works at his desk, bored of taking calls about muggings and is looking forward to getting back on the streets when fifteen minutes before his shift ends, he receives a call from a woman saying she’s been kidnapped. Frustrated with how slow the police are dealing with it, Asger takes matters into his own hands, calling the woman’s family, the kidnapper, and each call is more compelling than the last.

Like Asger, you only have the information he receives on his phone calls to make your judgement, and with snap decisions to be made, things aren’t always what they seem. There are twists and turns, but as well as being surprising, The Guilty works because you begin to care about who Ager is talking to, and that’s down to the performances. Cedergren gives a fantastic lead performance, it’s his minute reactions that so easily show his frustrations and anxiety – a clenched jaw, a twitch in the fingers – they all show a man that’s on the edge. His unseen co-stars are just as fantastic, the emotions in their voices allow us to visualise what is happening down the phone line.

The Guilty is gripping and thrilling. Director and co-writer Gustav Möller knows exactly when and how to release the tension and then go straight back into building it up again. It’s a film that keeps you guessing and is never what it seems. It’s no wonder The Guilty has been selected to be Denmark’s official Oscar entry for best foreign language film.

Directed by: Gustav Möller
Starring: Jakob Cedergren
UK Release Date: 26th October 2018